平面設計師Matt W. Moore用自然元素創作的曼陀羅圖案

 

平面設計師Matt W. Moore一直被曼陀羅(Mandalas)這種藝術所傳達的無限性所吸引。曼陀羅(Mandalas)源于印度,有神奇圓圈之意。這些神圣的幾何圖形,被用作靜思冥想的工具,圖案往往由一個中心點向外放射的圓及方形構成的。

 

 

Moore曾花了大量時間在墻上或畫布上創作具有圖形導向(graphically-oriented)的網格。后來的一次機會,Moore住在了伊甸(Eden)一所藝術家的住處,他決定重新思考創作的主題,于是開始收集附近離散在山上、谷地各種元素。樹枝樹皮、香蒲、頁巖以及河里的石頭都成為了其圖案上的筆觸。

 

 

“一開始這種創作像是在玩山頂洞人的俄羅斯方塊,有種時光倒流的感覺,仿佛兒時搭建城堡。但隨著圖案的復雜度的增加,這讓我漸漸找到了平面設計師的感覺,或者更像一個建筑工人。每一個元素的尺寸都要把握得當,每塊小石子或小木棍都需要認真擺放……”Moore講到:“在這一系列作品創作將近結束時,我覺得這已不在是一門組合藝術,相反更像是一個特殊的繪畫過程,將調色盤扔到一邊。我的畫筆變成了大自然給予我的各種元素,創作有了無限的可能”

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Moore的網址:website

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Graphic designer Matt W. Moore has always been attracted to the infinite possibilities of mandalas, spending a great deal of time producing graphically-oriented grids on both canvases on walls. When Moore had the chance to take an artist residency in Eden, Utah he decided that he would like to reconsider the motif, gathering elements found scattered on the mountains and nearby valley. The result of his foraging is a series of neatly organized designs, concentric elements composed of bark, cattails, shale, and river stones.

“At first it felt like playing caveman Tetris, somewhat of a flashback to building block castles I made as a child, but as the configurations evolved to be more complex I very much felt like a graphic artist or bricklayer, every measurement had to be dialed and every pebble or twig needed to be carefully placed,” said Moore in a description of the project. “By the end of the series it no longer felt like assemblage art, instead it was more of a painterly process, with the palette to my left and my paintbrush replaced with elemental expressions and flourishes, kind of like painting with mother nature’s paintbrush.”(text form:thisiscolossal)

 

 

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